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"You will come, Mona, to oblige the duchess," says Geoffrey, in exactly as even a tone as if the other had never spoken. Not that he cares in the very least about the duchess; but he is determined to conquer here, and is also desirous that all the world should appreciate and admire the woman he loves. "Then thank you, and I shall go with you, if you will allow me," says Geoffrey, hurriedly, as he sees her disappearing. The old man went to the camp and told his daughters of the meat that their husband had killed, and they went down to the killing ground. Then he went to his own lodge and said to his wife, "Hurry, now, put the stone kettle on the fire. I have brought home something from the killing.".

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"Bless me!" says Geoffrey; "what an appalling thought! it makes me feel faint." Presently he came to another lodge, and the man who owned it came out and spoke to him, asking where he was going. The young man said, "I am looking for my dead wife. I mourn for her so much that I cannot rest. My little boy too keeps crying for his mother. They have offered to give me other wives, but I do not want them. I want the one for whom I am searching." Whereat the boy smiles and grins consumedly, as though charmed with his companion's metaphor, though in reality he understands it not at all. Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her..